We make original African films with AI-assisted production, then bring that craft to business videos and creative workflows. Story first. Human direction throughout.
Follow our films, production notes and new services.
On 14 September 2026, The Mbengs premieres and The Children Of The Ore trailer goes public. Two very different stories, released on the same day.
The family adventure begins. Grandmother's grounds open, the sealed route unlocks, and Episode One goes live at midnight in Cameroon.
Until 14 September 2026 · 00:00 WAT
A rescue thriller in which the missing do not want to be found. Nobody was taken — which is what makes it so hard to prosecute, and so hard to explain. The pilot stays private, released one audience at a time to commissioners, financiers and festivals.
Eight × 50 minutes. Near-future Cameroon. English, French and Pidgin from a single shoot.
We will email you on launch day, then only when there is real news: a release, a new title or a glimpse behind the work. A few messages a year, at most.
Our team works between Limbe and Wokingham. The list is the simplest way to hear when something is ready.
Three original titles at different stages: a family adventure, a supernatural thriller and a preschool world.
An ordinary family in a high-tech future discovers extraordinary powers rooted in ancestral heritage.
Limbe, Cameroon, 2057. Twelve episodes across four three-episode arcs, driven by a family engine rather than a fight: an external mission, one child's honest mistake, and a domestic scene that changes something. At its centre is a grandmother whose grief has hardened into control — and children who do not defeat her, they help her let go.
A rescue thriller in which the missing do not want to be found.
Across Limbe, Kumba and Buea people are disappearing, and not one of them was taken. The man behind it does not abduct. He offers — a door out of a life that has stopped paying — and people say yes. That is why there is no case to bring and nothing a family can report: the missing are alive, cared for, and finished with the people still looking for them. A mother can stand in the same room as her son and be told, politely, that she is no longer needed.
Five young people who inherited a connection to the Ore go in after them, and learn fast that the fight is never for the door — it is for the person on the other side of it. They extract, evade, contain, negotiate, cut power and open exits. But the only thing that has ever brought someone back is what their captor cannot counterfeit: a specific, imperfect memory of home. Not the version he is selling. Theirs.
Learn. Grow. Shine.
A bright African world for young children and the adults raising them. Enoid Village brings together short animations, songs, books and everyday learning.
Our original worlds are where we develop our AI production method: clear direction, consistent references and reviewed edits. Bring that discipline to your organisation’s next video.
Turn a company profile, proposal or presentation into a video people can watch and share.
Explore the October offerBeyond one documentAI film development, business explainers, campaign videos and creative workflow support.
Find the right service
Silent N Productions is an independent company making original African stories for screen and beyond. We work between Limbe, Cameroon and Wokingham, UK.
The company is led by Mbeng Ngassa, a cinematographer and creative technologist. Two decades behind a camera inform the work: light, composition, space and the feeling a frame needs to carry.
We are a production company. We use new tools where they help, but hold them to the same standard as a camera, a script or an edit: they have to serve the story.
We own the work we make, develop it in-house and bring in partners when a title is ready for its next step.
The silent letter is still part of the word.
Good generative work depends on consistency. These four habits keep characters, places and stories steady from one scene to the next.
People, objects and places are locked to approved references before a single frame is generated.
Every location is mapped before production so angles and geography stay consistent.
Every frame answers a story or spatial question. If it answers neither, it does not get made.
Clear take names and final cuts make sure late changes do not undo earlier decisions.
More prompting is not the answer. See how the film process applies to business.
Whether you fund worlds, buy them, or simply want to watch them — start here.
Back one title or the wider slate. We can share the production plan, costs and what your investment would make possible.
Start a conversation For buyers & distributorsAsk for loglines, formats, episode counts, delivery plans, decks and a reel. Tell us what you are looking for and we will send the relevant material.
Request materials For audiencesThe Mbengs is open, and Enoid Village is growing. Watch the films, share them and follow along.
Go to the worlds
Silent N